| Berlin 2023 | |||
| Insurrectionnelle (Farouk Beloufa, 1972) | Annabelle Aventurin and Léa Morin | ||
| Cinema by Artificial Means | Greg de Cuir Jr, in cooperation with Petra Belc | ||
| “Value Resembles a Dance, Not a Statue.” Sergei Eisenstein’s Capital Project | Elena Vogman and Uliana Bychenkova | ||
| Redisappearances: Theresa Hak Kyung Cha’s White Dust From Mongolia | Katie Kirkland and Na Mira | ||
| Unmade Film: The Proposal | Uriel Orlow | ||
| Frauen in Berlin (Women in Berlin) Chetna Vora, GDR 1982, 140’ | introduced by Tobias Hering | ||
| If I were to tell you everything, we’d still be here tomorrow. | Cornelia Klauß and Tobias Hering | ||
| Jocelyne Saab, the Film as an Unspeakable Memory | Mathilde Rouxel | ||
| Examining the Understanding of Film | Volker Pantenburg and Tom Holert | ||
| Rediscovering Kinotron: Potentialities of Ukrainian Soviet Science Film | Olexii Kuchanskyi and Oleksiy Radynski | ||
| Rocío Fernando Ruiz Vergara, Spain 1980, 69’ | introduced by Concha Barquero and Alejandro Alvarado | ||
| Between the Scars and the Resistance: Fabulating About Ruiz Vergara’s Unmade Films | Concha Barquero and Alejandro Alvarado | ||
| For a Fictional Essay – Archiving the Absent | Léa Morin | ||
| Karmapala Through the Forbidden Scenes | Bunga Siagian, Akbar Yumni, and George Clark | ||
| Picking Up Fragments of a Revolution: A Non-coincidental Mirror | Carmen Amengual | ||
| Picking Up Fragments of a Revolution: Revenge of the Incomplete | Tara Najd Ahmadi | ||
| Closing Discussion: When and Where Is a Latent Cinema? | moderated by Alia Ayman, Alix Beeston, Paolo Caffoni, and Shai Heredia | ||
| Tazeh nafasha (The Newborns) Kianoush Ayari, Iran 1979, 45’ | introduced by Tara Najd Ahmadi | ||
| Desvanecimiento Prolongado – Película Implausible # 1 | Ojoboca | ||
| A Coruña 2024 | |||
| Redisappearances: Theresa Hak Kyung Cha’s White Dust From Mongolia | Katie Kirkland | ||
| Between the Scars and the Resistance: Fabulating About Ruiz Vergara’s Unmade Films | Concha Barquero and Alejandro Alvarado | ||
| Rocío Fernando Ruiz Vergara, Spain 1980, 80’ | introduced by Concha Barquero and Alejandro Alvarado | ||
| For a Fictional Essay – Archiving the Absent | Léa Morin | ||
| Tazeh nafasha (The Newborns) Kianoush Ayari, Iran 1979, 45’ | introduced by Tara Najd Ahmadi | ||
| Panel: Spectatorship, Postponed | with Alejandro Alvarado, Concha Barquero, Katie Kirkland, Léa Morin, Tomás Rautenstrauch (Filmoteca Narcisa Hirsch), Jaime Pena (Filmoteca de Galicia) | ||
| Vienna 2024 | |||
| Tazeh nafasha (The Newborns) Kianoush Ayari, Iran 1979, 45’ | introduced by Tara Najd Ahmadi | ||
| Frauen in Berlin (Women in Berlin) Chetna Vora, GDR 1982, 140’ | introduced by Nida Ghouse | ||
Berlin 2023
Insurrectionnelle (Farouk Beloufa, 1972)
Annabelle Aventurin and Léa Morin
Cinema by Artificial Means
Greg de Cuir Jr, in cooperation with Petra Belc
“Value Resembles a Dance, Not a Statue.” Sergei Eisenstein’s Capital Project
Elena Vogman and Uliana Bychenkova
Redisappearances: Theresa Hak Kyung Cha’s White Dust From Mongolia
Katie Kirkland and Na Mira
Unmade Film: The Proposal
Uriel Orlow
Frauen in Berlin (Women in Berlin)
Chetna Vora, GDR 1982, 140’
introduced by Tobias Hering
If I were to tell you everything, we’d still be here tomorrow.
Cornelia Klauß and Tobias Hering
Jocelyne Saab, the Film as an Unspeakable Memory
Mathilde Rouxel
Examining the Understanding of Film
Volker Pantenburg and Tom Holert
Rediscovering Kinotron: Potentialities of Ukrainian Soviet Science Film
Olexii Kuchanskyi and Oleksiy Radynski
Rocío
Fernando Ruiz Vergara, Spain 1980, 69’
introduced by Concha Barquero and Alejandro Alvarado
Between the Scars and the Resistance: Fabulating About Ruiz Vergara’s Unmade Films
Concha Barquero and Alejandro Alvarado
For a Fictional Essay – Archiving the Absent
Léa Morin
Karmapala Through the Forbidden Scenes
Bunga Siagian, Akbar Yumni, and George Clark
Picking Up Fragments of a Revolution: A Non-coincidental Mirror
Carmen Amengual
Picking Up Fragments of a Revolution: Revenge of the Incomplete
Tara Najd Ahmadi
Closing Discussion: When and Where Is a Latent Cinema?
moderated by Alia Ayman, Alix Beeston, Paolo Caffoni, and Shai Heredia
Tazeh nafasha (The Newborns)
Kianoush Ayari, Iran 1979, 45’
introduced by Tara Najd Ahmadi
Desvanecimiento Prolongado – Película Implausible # 1
Ojoboca
A Coruña 2024
Redisappearances: Theresa Hak Kyung Cha’s White Dust From Mongolia
Katie Kirkland
Between the Scars and the Resistance: Fabulating About Ruiz Vergara’s Unmade Films
Concha Barquero and Alejandro Alvarado
Rocío
Fernando Ruiz Vergara, Spain 1980, 80’
introduced by Concha Barquero and Alejandro Alvarado
For a Fictional Essay – Archiving the Absent
Léa Morin
Tazeh nafasha (The Newborns)
Kianoush Ayari, Iran 1979, 45’
introduced by Tara Najd Ahmadi
Panel: Spectatorship, Postponed
with Alejandro Alvarado, Concha Barquero, Katie Kirkland, Léa Morin, Tomás Rautenstrauch (Filmoteca Narcisa Hirsch), Jaime Pena (Filmoteca de Galicia)
Vienna 2024
Tazeh nafasha (The Newborns)
Kianoush Ayari, Iran 1979, 45’
introduced by Tara Najd Ahmadi
Frauen in Berlin (Women in Berlin)
Chetna Vora, GDR 1982, 140’
introduced by Nida Ghouse